360 Video Production

For the last 5 years, I’ve been creating these experiences through VR and AR content, using everything from live action video, motion graphics to 3D animation.

I’m grateful to have developed a deep knowledge of the 3D 360 post-production pipeline (which is always evolving) and my expertise falls within;

  • Camera assistant
  • DIT
  • Stitch
  • Rig Removal
  • Grade
  • Build edit
  • VFX
  • Motion GFX

Fight Game

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Description: Fight Game VR was a companion piece to BBC’s Carl Frampton documentary of the same name. The piece was immersed in McGuigan’s Gym, London and intimate access to Carl, Shane and Barry McGuigan…. interviews about Carl’s training and fight prep along with a unique in-the-ring training session with Carl demonstrating the basic punches, frozen in bullet-time where Shane then broke down the technique behind each punch.

Input: Camera assistant, DIT, stitch, rig removal, motion GFX, VFX, edit

STC India

STC Roof

Description: Save the Children in association with RB felt that a 360 video would best highlight the slum conditions of the GET NAME OF DISTRICT while also highlighting the great work they’ve been doing to educate the children about the basic hygiene that could save their lives.

Input: Camera assistant, DIT, stitch, rig removal, motion GFX, VFX, edit

Discover NI

Description: Discover NI wanted an energetic, dynamic 360 video to showcase the “culture and craic” of Northern Ireland. We decided that (semi) local band Rews would bring the perfect energy to the piece – so the story follows the girls as they discover the adventure and scenery of the North Coast before having a fun-filled night in Belfast city.

Input: Camera assistant, DIT, stitch, rig removal, motion GFX, VFX, edit

Park Bench Tales

Ulster Rugby

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Description: Ulster Rugby think their fans are the best in the world and they wanted to offer them a way to connect with the team like never before. With amazing access, we crafted a story about game night told from the perspective of Ulster and Ireland captain, Rory Best. The piece is an insightful, energetic …

Input: Camera assistant, DIT, stitch, rig removal, motion GFX, VFX, edit

Ulster Scots

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Description: Since the 1600’s, the Ulster Scots have left a rich legacy of literature and performance in Northern Ireland and the Ulster Scots Agency felt that a 360 video would immerse people in the culture in a way that they’ve never been able to before.

Working with SARC to deliver next level ambisonics and capturing performances from some of the best Ulster Scots acts in the world, from pipe bands to dancers the piece serves as a showcase of some of the finest Ulster Scots traditions

Input: Camera assistant, DIT, stitch, rig removal, motion GFX, VFX, edit

Monty Halls

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Seagate

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